Twains sardonic tone is evident from the start he signs his
story as Grandfather Twain, setting up a tone that mocks the “grandmotherly”
source of many of the tales he is parodying.
In the story he talks about Jim and sets him in contrast to the “bad
Jameses in the books.” He describes Jim
by what he is not and what he does not do or have. Jim “didn’t have and sick mother …, terrible
feeling didn’t come over him …, something didn’t seem to whisper to him,
etc.” Jim was in fact very strange, he
didn’t line up at all with the bad boys named James in the Sunday School
stories. Throughout Jim’s life he escapes from the
supposed karmic consequences of his actions; how he manages to escape “is a
mystery” to Grandfather Twain.
The stark contrast between Jim and the hypothetical James
highlights the myth of fairness and a universal entity responsible for
punishment. Jim does not get punished
for what he does; in fact by the end of the story, after axing his family and
becoming rich by cheating and “rascality” he becomes “universally respected,
and belongs to the Legislature.” Twain
boils down Jim’s life, and everyone’s life, to streaks of luck. The world is not inherently geared towards
punishing the bad and rewarding the good.
Twain highlights the problematic black and white, good and
bad, reward and punishment binary thinking that existed in the Sunday School
stories. He creates a world that exists
in reflection of the world he, and everyone, experiences: a world of
grays. In this world that he creates in
his story thing reflect the complexities of the world. His mocking and condescending tone
illustrates the grays and seems to call the writers and story tellers that
created the black and white world ridiculous and foolish for believing that the
world can be broken down so simply, or at least teaching children that the
world is such.
Twain is cynical and sarcastic, as evidence through his
writing. “A Christmas Fireside” shows
this well as it calls to question ideas and teachings that had been considered
the “norm” for the late 19th century American culture.
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